A rhythmic device where two measures in triple meter are grouped to feel like three measures in duple meter, creating a temporary shift in rhythmic emphasis. This creates a cross-rhythm effect that adds complexity and forward momentum.
From Greek 'hemiolia' meaning 'one and a half,' referring to the 3:2 ratio that defines this rhythmic relationship. The technique was formalized in Renaissance music theory but became especially prominent in Baroque dance forms and later in Romantic and contemporary music.
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