A rhythmic device where two measures in triple meter are grouped to feel like three measures in duple meter, creating a temporary shift in rhythmic emphasis. This creates a cross-rhythm effect that adds complexity and forward momentum.
From Greek 'hemiolia' meaning 'one and a half,' referring to the 3:2 ratio that defines this rhythmic relationship. The technique was formalized in Renaissance music theory but became especially prominent in Baroque dance forms and later in Romantic and contemporary music.
Hemiola is rhythm's magic trick—it makes listeners feel like they've suddenly stepped into a different time dimension! Brahms was obsessed with this technique, using it to create those thrilling moments where the music seems to stumble forward with irresistible momentum, like a dancer who's found a new way to move through time.
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